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We’ve updated our Terms of Use. You can review the changes here.

D​ö​ner Kebab Pizza Italia

by Dekot

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1.
That makeup doesn't fill at all the gaps caused by repeated disappointments. Those heels that you wear to feel bigger are unable to help you, I guess. Have you trained that smile before the rain? Did you ask the window to change landscape? Have you counted all the words that you have kept? Now they’ve been turned into oil. Welcome my dear, you can go inside. This is the club of the broken masks. We cut the nets, we buy evicted wishes, we scream for nothing, bare night with laughs. When we get tired of being ourselves, we look in the trunk for normal clothes to go unnoticed along the day. Have you ever felt your dance is moved by those who do not even play the music? Have you ever felt like a confused penguin making an appointment in a tanning salon? Did you want to be alone being empty? Did you feel your steps were decided? So much to say that you've run out of room before writing it on the walls. Allons-y vite, allons-y vite, sinon on respecte les règles. Suddenly you open the dams. Do you lose or you get big space? The lights go out, meanwhile, you go on. A quick jump before the show.
2.
Care 02:47
I’m sitting again with my legs off the edge of the mountain we used to go. A beer on the left and your absence on the right. Can you see? You didn't say goodbye, but it doesn’t mean you didn’t leave me. You stopped calling me and afterwhile forgetting me, forgetting me. ‘Cause I feel like a novel on the shelf, neglected. When you read me it was the only way I could see you without getting an excuse. ‘Cause I feel like a novel of the past. You did allow the time to stay more between us and inflate itself. I ask you for a text or a reason, a door slam, an argument or something. Let me say bye before you come to say hello as nothing happened. As if all the trains could engage a reverse gear, a reverse gear. You could have taken your place. You could have taken your name. You could have taken them. Complete the long list of those, Complete the long list of those who I lost not knowing why.
3.
Morphine 02:49
You wanna smile in front of the best photos. You blame the plastic flowers of your garden ‘cause they can't bring you closer to the spring. The truth is on sale. You put your memories on a strict diet to make them look much better in the market. The palace will be made of cheap cardboard. The truth is on sale. Try to reach the highest peak using five escalators. Get the compliments to pay your endless bills. Let’s try. You learn way more from marketing than hugs. It’s worrying. Life will maybe wink at you with false eyelashes. Truth’s still waiting, it may always be. It will be very old though able to keep you young. You ask the smoke to play as a marble statue. You tell the earthquake to stop for the picture. You expect the varnished apples are not toxic. The truth is on sale. You count the amount of followers in media but you can hardly remember the last trip. You would exchange the passion for just image. The truth is on sale. Behind the numbers there is nothing more than touches on the screen. Two sentences. Three filters and nothing more to add. Talking without saying anything could be the new morphine. Hide your head like an ostrich so the moles freak out.
4.
7:41, running to the bus. Sit in the back losing in your thoughts, living in the headphones. Then you get in class. Unit 43. You get the mark, forget your name, now you are a number. How can the watch be (truly) same as in the street? Sorry. How can your mind be so free, so far from this gray building? You are trying to focus on the boring book. For sure. You want to remove so soon all the anchors of your head. Gap in the margin, you need to write something. The only thing they’ll fill with words is your broken backpack. You feel lonely in your flaming revolution. The uniforms before were worn but now they are felt. You are in a hurry (always) to discover why some things seem to get away so quick, like the gaze in the mirror. Everything to prove. To whom? Nothing seems enough for you. Waiting for your chance, no doubts. Welcome hyperactive dream. It’s okay to take your place, let the rest go with the flow. It’s okay to ask, questions do the same as doors. It’s so boring this perfection, you can’t stand. One breath from sea always means oxide for chains. Third teacher is different, seems preacher, breaks the script. Gets the answers from the inside. Show images on the screen. Makes think, takes risks believing in another hit. Cheat sheets for the life. One smile to bribe the sky. “All the papers are like mules carry only what they put”. You can see your thoughts caught out at the customs of the mouth. Maybe now you know (alright) your revolt is not enough. Maybe you need more of those to make a much better world.
5.
In the Ocean 03:33
One black whale falls in the ocean. Makes no noise there in the ocean. Does not know where to go so moves. One little mole in the ocean. I take the capes of my fears to make the sails of a ship. I set the course at once. Blackness, blackness, can you feel me? I was in the desert staying safe. I was in the desert far from any rain. I was in the desert staying still. I was in the desert, no one could find me. Now I’m in the ocean and it’s night. Sometimes singing means having reason why. Now I’m in the ocean, it’s alright. Even if the panic throws his smoke to face. It may sink deep enough so it can float. A black note falls on to the score.
6.
Clean the greater weever removing the guts and scales. Season, flour and fry over high heat with oil. Make sure not to overdo it. Pour a drink. Put it in a bowl to keep it warm. Just leave. Brown a few garlic cloves in the wide clay pot. Don’t be afraid to be generous with the product. Once they start to sweat, add peppercorns for taste and a sea fennel. If the poison is there, I will extract from you so you can’t say anything when it is in my hands. And when you feel so lonely with nothing else to offer, you will try to become something other than food. A few minutes later, add vinegar and glass of txakoli. Cook over a low heat so the alcohol evaporates. Add the fish, store inside the fridge at least for a day. Place the clay pot on the table, cut the bread into medium slices, put the fish on top. Add the salt, the marinade and sea fennel with some garlic.
7.
Castle 02:56
I learned to shine in the shadow of the spotlights. I used to play between the wall and taken throne. I couldn’t touch the crown, I had a sword and fights waiting for me. All cameras passed very close to me, but they didn’t stop. There was never (never) enough time. And I realized that everything would stay the same. So the only way out was to try change myself. Can I get the power I drew from it? Forget the time that has gone to nowhere? I used to sleep with answers and then get up with questions, get up and reset. I had a lot to tell, I had to go away. The palace was smaller from the long distance. I felt like getting bigger at every turn, leaving my post. But I wanted to live to build and have my place. Get rid of the armor. For what? For what? ‘Cause it didn’t work. It was heavier than all the flashbacks. When I go back I see I’m the castle with wheels. I don't know if I chose right or wrong, at least I did my way. I made my decision of being myself. The price of being part of something was to nod, accept the facts. The battles expired long time ago. There are no crowns.
8.
America 03:11
You go by bus, they fly in business. You get a discount, not the desired necklace. You avoid defeats, they count their wins. You control the clock but not the time. Hey! America! You are America! With the snow of the Andes on your teeth. Hey! America! You are the Amazon! With its patience to reach the distant coast. And maybe that is true, the others are further ahead. They may even do better. You wish it wasn’t like that. But you don't walk in their shoes nor do you breathe with their lungs. You open the wind when you move forward. You have a tea, they drink cocktails. You watch the trailer, but they star in movies. You are very cold, they dress in gowns. You look at photos, they travel around the world. Hey! America! You are America! You bring a pleasant climate in the words. Hey! America! You are America! The mic points at you but it’s you who shoot. Do you wanna be then here so free? Fresh air, open sky, a bonfire. Lights and comments bounce off your jacket. People dance on the red broken sandglass. Everything in here just goes round, maybe running away for the towering storm. Glasses and dancers, the dancers are glasses. It’s been awhile since the worries lost. Let’s go, let’s go, leave the damage now. There’s no reason to stay where the questions shout. Tired of giving all to the others so, what is left for you? ¿Quieres ser ruina en tu ciudad? We’re like fishermen of dawns. If you ever get the chance to return, bring again the passes for your songs. We’re gonna be like tourists on the moon. Y puede que esté bien así, vuelve suspiro a mí.
9.
System 02:51
System, do you know us? Do you know our tastes, despairs and aspirations? Do you see us behind so many papers, protocols and counters? System, we are cells in your body. Few for us, too many for you. We talk in banners, we keep quiet in your radios. I doubt you can hear us. System, are you there? Take a seat. You go in shoes, we are barefoot. You go in shoes, we are barefoot, and the ground is full of broken promises. System, asking you to change is dangerous: every movement of yours affects us. We’d rather change ourselves and affect you directly. Many lies, many lies, many tricks. If we really talk to you, you have no answers. With the doors, with the doors closed for us, we have built eleven stages to hit the silence.
10.
You wanna dance with risk. I’m sitting looking at you. You always jump, then check. I can't follow you on that. I don't know how to leave. I don't know how to leave. I don't know how to leave the fucking bland reality. Eyes are asking for. You improvise a path. While I'm full of “just in cases”. You book a table in a fire. I run to protect myself. I comply with the law. I comply with the law. I comply with the law, it’s a suit, well, you go naked. Eyes are asking for. Ezusteko altxor bat eskatu diot nire gogoari ziurtasuna ahazteko. Ez delako nahiko begiei egiak eranztearekin gordetzen dutena ulertzeko. You want to live so fast. I prefer to walk safely. You ask for wings to rise. I’d rather for few runways. I'm trying to predict. I'm trying to predict. I'm trying to predict mounted on a moving wheel. Eyes are listening. You challenge the routine. I have sex with it daily. You choose the clouds for flirting. I attend the rest of bans. I would like to arrange. I would like to arrange. I would like to arrange chaos in colorful boxes. Ametsak domestikatu ditugu urtez urte, bada, orain nor da gai haiek libratzeko? Nor ez da inoiz sentitu bideoklip batean bezala? Lehengo trabak orain itzalak dira.

about

Para mi Döner es una historia de superación personal. Es tratar de mirar a los aprendizajes a la cara, sonreírles y convertirlos en canciones. Como no sabía si sería el primer o último disco, hice absolutamente todo lo que quise, no lo que podía o me permitían. Ha supuesto la contradicción más bonita que ha salido de mi telecaster; porque a la vez que provocaba que me metiera en mil y un jaleos, hacía de refugio.

Está cargado de secretos impacientes, colaboraciones imposibles, canciones comestibles, ilustraciones taradas e ilusión como para parar un tren. Lo miras y encontrarás grapadoras-voladoras, cohetes-exprimidores y regaderas-tanque que materializan una de las frases más necesarias de este proceso: «dejar que las cosas (literalmente) fluyan». Está compuesto por dos tipos de temas: canciones “rayo” diagnosticadas con TDH y canciones “alcachofas” repletas de capas que harán que te pierdas en ellas cada vez que las escuchas de nuevo. Döner es un mensaje cargado de otros muchos mensajes, dice algo así como: «sal ahí afuera y haz que las cosas sucedan desde dentro, joder».

El disco está formado por 10 canciones, en las que el esfuerzo de una búsqueda de sonido y género propio ha hecho que sea complicado clasificarlo tan rápidamente. Son creaciones tan variadas que dan la sensación de que se tienen alergia entre sí pero, a su vez, van de la mano. Impera el tono punk, sintetizadores ochenteros y guitarras oscuras. Un sonido british obtenido controlando la distorsión. Disfrutarás con referencias a otros géneros como la bossa nova y la electrónica, corales de música clásica, cambios repentinos, ritmos frenéticos y momentos de calma.

Döner refleja mi mirada hacia un mundo lleno, lo cual hace que el disco también esté repleto de todo lo descrito anteriormente y más.

Ibai Ayerza

credits

released March 25, 2021

Music & lyrics: Ibai Ayerza Sánchez
Recording & mixing: Eñaut Gaztañaga in Gaztain Estudioak at 2020
Production: Eñaut Gaztañaga & Ibai Ayerza
Mastering: Estanis Doctor Master
Artwork: Ximon Agirre

Dekot are/somos/gara:
Ibai Ayerza Sánchez vocals, guitars, synths & bass.
Ibon Aguirre Chavero drums.

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Dekot Maruri, Spain

Dekot is a Basque duo formed by Ibai Ayerza (composer and singer) and Ibon Aguirre (drums). They originally come from Maruri- Jatabe (Bizkaia) and could be said to inhabit the alternative music scene. "Dekot" means "to have" in Basque language.
Created in 2014 by the vocalist, the group has experienced many changes of formation, musical genre and even language until finding their own sound.
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